Sunday, January 23, 2011

Getting To Know Him: A Biography Of Oscar Hammerstein II



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Getting To Know Him: A Biography Of Oscar Hammerstein II





Oscar Hammerstein II (1895รข€"1960) forged a remarkable, multifaceted career as a librettist, lyricist, playwright, director, and producer. He wrote Carmen Jones, Carousel, Show Boat, and, with longtime collaborator Richard Rodgers, Oklahoma!, South Pacific, The King and I, and The Sound of Music. Hugh Fordin enjoyed complete access to the Hammerstein archives and conducted numerous interviews with family and colleagues like Rodgers, Berlin, Robbins, and Sondheim. The result is the definitive biography of a creative giant, who changed forever the texture of American theater.










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The Autobiography of Joan Sutherland: A Prima Donna's Progress





One of the most beloved and well-known opera stars in history tells the story of her legendary career, spanning more than 30 years, and recalling her encounters with such stars as Luciano Pavarotti, Marilyn Horne, and Placido Domingo of photos Major media publicity, including TV appearances, print features, and radio interviews.Don't look to this book--a genuine autobiography, with no taint of the ghostwriter's art--for dirt and gossip, for hints on how best to interpret such bel canto roles as the heroine of Donizetti's Lucia di Lammermoor, or for help with developing a bel canto technique of one's own. The Autobiography of Joan Sutherland is a book for the true fans of the great Australian prima donna, one of the finest sopranos of all time, and one of the most hard-working and professional singers to appear in recent decades. Sutherland primarily chronicles her life as an operatic diva; she skips rather quickly through her childhood, even dealing with the trauma of her father's death on her 6th birthday in a single tight-lipped paragraph. You may find many more details than you need on her travels and performances, but what shines through is the portrait of a dedicated artist who readily acknowledges what she owes to her colleagues, and most particularly to her husband/coach/conductor, Richard Bonynge. Sutherland recreates a now-legendary time in the history of opera, and she does it with humor and a refreshing lack of pretension.









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